Arts & Humanities Research events this week at Plymouth University

The following research events are taking place in the Faculty of Arts and Humanities this week. Please contact theartsinstitute@plymouth.ac.uk if you would like further information. ICCMR Seminar: Aurelien Antoine – ‘Designing a Sound Classification System’. 3.30pm on 11th October 2016 in Scott Building 105 Artist Talk: Tony Godfrey – ‘Painting in the age of Installation’. 4pm on… Continue reading Arts & Humanities Research events this week at Plymouth University

Dr Peter Bokody speaks at the 34th World Congress of Art History

Plymouth University researcher Dr Péter Bokody  was a speaker at the 34th World Congress of Art History hosted jointly by Peking University, Central Academy of Fine Arts and Palace Museum in Beijing. The congress was organized by the Comité International d’Histoire de l’Art (CIHA), the largest international organization for the study of art history. The… Continue reading Dr Peter Bokody speaks at the 34th World Congress of Art History

Ideas on sourdough bread, conferences, research and everything

By Jayne Buchanan (Plymouth University) So what does the art of making sourdough bread have to do with being a research student? As I reflect on my experiences at attending two conferences at Plymouth University and one at Leicester De Montfort University this month, it bought to mind cookery instructions on how to make a sourdough… Continue reading Ideas on sourdough bread, conferences, research and everything

Call for Papers: Art History New Voices Conference, 25 November 2016

Art Outside the Gallery AAH New Voices Conference 2016 25 November 2016 Plymouth University Keynote: Dr Jody Patterson (Plymouth University)   Call for Papers Where do we see art? What impact do exhibition spaces have on how an artwork is received? Who is art created for? Who owns public art? New Voices 2016 encourages delegates… Continue reading Call for Papers: Art History New Voices Conference, 25 November 2016

Feature: “Painting radioactivity: How to represent the unrepresentable”

By Jody Patterson In the aftermath of unleashing a new arsenal of atomic weaponry on Hiroshima and Nagasaki in August 1945 American artists struggled with the question of how to respond to the unprecedented atrocities of nuclear warfare. What could they say in the wake of the carnage wrought by the militarization of science for… Continue reading Feature: “Painting radioactivity: How to represent the unrepresentable”