Feature: “Generative Orchestration with Musical Timbre”

BY AURÉLIEN ANTOINE   Technological advances, and more specifically computers, have been leading the evolution of music for the last 60 years, impacting on the ways we compose, perform and listen to music. For example, composers use notation software or Digital Audio Workstations (DAW). They also employ computers as sources of musical inspiration. During my Masters in… Continue reading Feature: “Generative Orchestration with Musical Timbre”

Nuria Bonet receives the William A. Gribbon Award … again!

A doctoral researcher at Plymouth University has received the prestigious William A. Gribbon Award from the American Musical Instrument Society (AMIS) for the second consecutive year. Nuria Bonet was awarded a travel award to attend the AMIS General Meeting in Vermillion, South Dakota in May 2016. The award recognises her work into Catalan shawms and she has been given the… Continue reading Nuria Bonet receives the William A. Gribbon Award … again!

ICCMR in the USA: bio-processors, music and slime mould

ICCMR is a laboratory for Computer Music research at Plymouth University and the impact of their recent research into building bio-processors from slime mould is now gaining ground in the USA. Professor Eduardo Miranda and his PhD student, Ed Braund, were invited by BBC Earth to join underwater astronaut David Reichert, award-winning wildlife film maker John Downer… Continue reading ICCMR in the USA: bio-processors, music and slime mould

Professor Eduardo Miranda is a visiting scholar at Harvard University

  Professor Eduardo Miranda is currently on a mission to the United States as a visiting scholar at Harvard University and invited speaker at MIT Media Lab. He is working in the Harvard University Studio for Electroacoustic Composition (HUSEAC) on a new composition for choir and electronics, which is scheduled for premiere at the Peninsula… Continue reading Professor Eduardo Miranda is a visiting scholar at Harvard University