‘Crazier than I am, or crazier than I look?’ Egon Schiele’s Self-Portraits

Gemma Blackshaw, Professor of Art History, writes: More than any other image, the self-portrait declares the artist as the subject of the work of art, and the work of art as the means by which we might know him (my use of the masculine pronoun is deliberate here), in all his creative, spiritual and sexual… Continue reading ‘Crazier than I am, or crazier than I look?’ Egon Schiele’s Self-Portraits