{"id":1236,"date":"2016-09-30T09:00:22","date_gmt":"2016-09-30T09:00:22","guid":{"rendered":"http:\/\/blogs.plymouth.ac.uk\/artsinstitute\/?p=1236"},"modified":"2016-09-26T19:05:33","modified_gmt":"2016-09-26T19:05:33","slug":"iccmr-do-we-have-music-in-mind","status":"publish","type":"post","link":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/2016\/09\/30\/iccmr-do-we-have-music-in-mind\/","title":{"rendered":"Music in mind"},"content":{"rendered":"<p>Plymouth University&#8217;s\u00a0<a href=\"http:\/\/cmr.soc.plymouth.ac.uk\/\">Interdisciplinary Centre for Computer Music Research<\/a> (ICCMR) has been working on pioneering brain-computer music interfacing, BCMI for short (or as the ICCMR director of research <a href=\"https:\/\/www.plymouth.ac.uk\/staff\/eduardo-miranda\">Professor Eduardo Miranda<\/a> sometimes calls it, &#8216;Music Neurotechnology&#8217;), for over a decade.<\/p>\n<p>This work has been used, amongst other things, to give disabled patients access to music making. A <img loading=\"lazy\" decoding=\"async\" class=\" size-medium wp-image-1237 alignright\" src=\"http:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-content\/uploads\/sites\/60\/2016\/09\/The-Paramusical-Ensemble-300x135.jpg\" alt=\"the-paramusical-ensemble\" width=\"300\" height=\"135\" srcset=\"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-content\/uploads\/sites\/60\/2016\/09\/The-Paramusical-Ensemble-300x135.jpg 300w, https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-content\/uploads\/sites\/60\/2016\/09\/The-Paramusical-Ensemble-560x251.jpg 560w, https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-content\/uploads\/sites\/60\/2016\/09\/The-Paramusical-Ensemble-260x117.jpg 260w, https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-content\/uploads\/sites\/60\/2016\/09\/The-Paramusical-Ensemble-160x72.jpg 160w, https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-content\/uploads\/sites\/60\/2016\/09\/The-Paramusical-Ensemble.jpg 600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>54-month ICCMR collaboration with Reading University to develop real world implementations of these ideas has just been featured in <a href=\"https:\/\/www.theguardian.com\/lifeandstyle\/2016\/sep\/12\/mind-blowing-music-tinie-tempahs-brain-scan\">The Guardian<\/a>, where colleagues from Reading&#8217;s Brain Embodiment Laboratory (under the leadership of Prof Slawomir Nasuto) demonstrated a pilot system to award-winning rapper and music producer Tinie Tempah.<\/p>\n<p>The BCMI MIdAS system on display is still in its infancy, and future iterations currently in development will be exponentialy more sophisticated.<\/p>\n<p>Full details of the collaboration can be seen on\u00a0<a href=\"http:\/\/cmr.soc.plymouth.ac.uk\/bcmi\">cmr.soc.plymouth.ac.uk\/bcmi<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Plymouth University&#8217;s\u00a0Interdisciplinary Centre for Computer Music Research (ICCMR) has been working on pioneering brain-computer music interfacing, BCMI for short (or as the ICCMR director of research Professor Eduardo Miranda sometimes calls it, &#8216;Music Neurotechnology&#8217;), for over a decade. This work has been used, amongst other things, to give disabled patients access to music making. A&hellip; <a class=\"more-link\" href=\"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/2016\/09\/30\/iccmr-do-we-have-music-in-mind\/\">Continue reading <span class=\"screen-reader-text\">Music in mind<\/span><\/a><\/p>\n","protected":false},"author":166,"featured_media":1237,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,138],"tags":[316,313,77,75],"class_list":["post-1236","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-transdisciplinary-creative-practices","tag-bcmi","tag-duncan-williams","tag-eduardo-miranda","tag-iccmr","entry"],"_links":{"self":[{"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/posts\/1236","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/users\/166"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/comments?post=1236"}],"version-history":[{"count":4,"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/posts\/1236\/revisions"}],"predecessor-version":[{"id":1249,"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/posts\/1236\/revisions\/1249"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/media\/1237"}],"wp:attachment":[{"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/media?parent=1236"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/categories?post=1236"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/tags?post=1236"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}