{"id":1282,"date":"2016-09-28T09:00:01","date_gmt":"2016-09-28T09:00:01","guid":{"rendered":"http:\/\/blogs.plymouth.ac.uk\/artsinstitute\/?p=1282"},"modified":"2016-09-27T11:24:52","modified_gmt":"2016-09-27T11:24:52","slug":"dr-peter-bokody-speaks-at-the-34th-world-congress-of-art-history","status":"publish","type":"post","link":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/2016\/09\/28\/dr-peter-bokody-speaks-at-the-34th-world-congress-of-art-history\/","title":{"rendered":"Dr Peter Bokody speaks at the 34th World Congress of Art History"},"content":{"rendered":"<p style=\"background: white\"><span style=\"font-family: 'Calibri',sans-serif;color: black\">Plymouth University researcher <a href=\"https:\/\/www.plymouth.ac.uk\/staff\/p_ter-bokody\">Dr P\u00e9ter Bokody<\/a> \u00a0was a speaker at the <a href=\"http:\/\/www.ciha2016.org\">34th World Congress of Art History<\/a> hosted jointly by Peking University, Central Academy of Fine Arts and Palace Museum in Beijing. The congress was organized by the Comit\u00e9 International d\u2019Histoire de l\u2019Art (CIHA), the largest international organization for the study of art history. The Beijing congress was the first which took place outside Europe<a href=\"http:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-content\/uploads\/sites\/60\/2016\/09\/CIHA-2016.png\"><img loading=\"lazy\" decoding=\"async\" class=\" size-medium wp-image-1283 alignleft\" src=\"http:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-content\/uploads\/sites\/60\/2016\/09\/CIHA-2016-300x273.png\" alt=\"ciha-2016\" width=\"300\" height=\"273\" srcset=\"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-content\/uploads\/sites\/60\/2016\/09\/CIHA-2016-300x273.png 300w, https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-content\/uploads\/sites\/60\/2016\/09\/CIHA-2016-560x510.png 560w, https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-content\/uploads\/sites\/60\/2016\/09\/CIHA-2016-260x237.png 260w, https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-content\/uploads\/sites\/60\/2016\/09\/CIHA-2016-160x146.png 160w, https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-content\/uploads\/sites\/60\/2016\/09\/CIHA-2016.png 607w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>since the foundation of CIHA in 1930, and it marked a strong attempt towards the creation of a transcultural \u2013 \u201cglobal\u201d \u2013 art history.<\/span><\/p>\n<p style=\"background: white\"><span style=\"font-family: 'Calibri',sans-serif;color: black\">Art and cultural historians from a vast cross-section of disciplines and fields of professional interest were called upon to discuss together ways of seeing, describing, analyzing and classifying art works. The aim was to question the words, the definitions, the very concepts used to study art by different scientific traditions: how can the methodology of the discipline be enriched by being conscious of the diversity of terms and approaches to art?<\/span><\/p>\n<p style=\"background: white\"><span style=\"font-family: 'Calibri',sans-serif;color: black\">P\u00e9ter, whose research focus is early Renaissance meta-painting, was participant of \u201cSession 5 \u2013 Self-Awareness and Self-Affirmation\u201d chaired by Prof. Alessandro Nova (Kunsthistoriches Institut, Florence). The session evaluated the forms of self-awareness and artistic autonomy in a number of historical periods and cultural contexts.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Plymouth University researcher Dr P\u00e9ter Bokody \u00a0was a speaker at the 34th World Congress of Art History hosted jointly by Peking University, Central Academy of Fine Arts and Palace Museum in Beijing. The congress was organized by the Comit\u00e9 International d\u2019Histoire de l\u2019Art (CIHA), the largest international organization for the study of art history. The&hellip; <a class=\"more-link\" href=\"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/2016\/09\/28\/dr-peter-bokody-speaks-at-the-34th-world-congress-of-art-history\/\">Continue reading <span class=\"screen-reader-text\">Dr Peter Bokody speaks at the 34th World Congress of Art History<\/span><\/a><\/p>\n","protected":false},"author":166,"featured_media":1283,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[137,3],"tags":[87,442],"class_list":["post-1282","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-histories-memory-memorialisation","category-news","tag-art-history","tag-peter-bokody","entry"],"_links":{"self":[{"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/posts\/1282","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/users\/166"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/comments?post=1282"}],"version-history":[{"count":2,"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/posts\/1282\/revisions"}],"predecessor-version":[{"id":1285,"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/posts\/1282\/revisions\/1285"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/media\/1283"}],"wp:attachment":[{"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/media?parent=1282"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/categories?post=1282"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/tags?post=1282"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}