
{"id":1603,"date":"2016-11-26T08:16:01","date_gmt":"2016-11-26T08:16:01","guid":{"rendered":"http:\/\/blogs.plymouth.ac.uk\/artsinstitute\/?p=1603"},"modified":"2016-11-25T12:27:57","modified_gmt":"2016-11-25T12:27:57","slug":"30-november-2016-performing-arts-research-seminar","status":"publish","type":"post","link":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/2016\/11\/26\/30-november-2016-performing-arts-research-seminar\/","title":{"rendered":"30 November 2016: Performing Arts research seminar"},"content":{"rendered":"<p class=\"x_MsoNormal\">Please join us for the next PEP Talk (the seminar series of the\u00a0Performance.Experience.Presence research group at Plymouth University), which will feature papers by <a href=\"https:\/\/www.plymouth.ac.uk\/staff\/phil-smith\" target=\"_blank\">Phil Smith<\/a> and <a href=\"https:\/\/www.plymouth.ac.uk\/staff\/david-strang\">David Strang<\/a>:<\/p>\n<p class=\"x_MsoNormal\" style=\"text-align: center\"><b>Wednesday, 30th November 2016,\u00a04.30 \u2013 6.00pm<\/b><\/p>\n<p class=\"x_MsoNormal\" align=\"center\">Babbage Building, Room 215, Plymouth University<\/p>\n<p class=\"x_MsoNormal\" align=\"center\"><a href=\"http:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-content\/uploads\/sites\/60\/2016\/11\/phil-smith.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-1606 aligncenter\" src=\"http:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-content\/uploads\/sites\/60\/2016\/11\/phil-smith.jpg\" alt=\"phil-smith\" width=\"200\" height=\"265\" srcset=\"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-content\/uploads\/sites\/60\/2016\/11\/phil-smith.jpg 200w, https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-content\/uploads\/sites\/60\/2016\/11\/phil-smith-160x212.jpg 160w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p class=\"x_MsoNormal\" align=\"center\"><b>\u201cUsing character and journey in Symbolist Theatre to make a portrait of South Devon\u201d<\/b><\/p>\n<p class=\"x_MsoNormal\">In this paper, <a href=\"http:\/\/www.mythogeography.com\/more-about-the-author.html\" target=\"_blank\">Phil Smith<\/a> will describe his present project: &#8216;Anywhere&#8217;. This involves his drawing on narratives and aesthetics from nineteenth century Symbolist Theatre, and a particular take on theatrical character,\u00a0as the means to make an investigation and\u00a0description of South Devon. Phil will describe his experiences of walking &#8216;with character&#8217; and &#8216;with Symbolist narrative&#8217; and give examples from his findings.<\/p>\n<p class=\"x_MsoNormal\">\u00a0\u00a0<a href=\"http:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-content\/uploads\/sites\/60\/2016\/11\/david.strang.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-1605 aligncenter\" src=\"http:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-content\/uploads\/sites\/60\/2016\/11\/david.strang.jpg\" alt=\"david-strang\" width=\"200\" height=\"200\" srcset=\"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-content\/uploads\/sites\/60\/2016\/11\/david.strang.jpg 200w, https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-content\/uploads\/sites\/60\/2016\/11\/david.strang-150x150.jpg 150w, https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-content\/uploads\/sites\/60\/2016\/11\/david.strang-160x160.jpg 160w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p class=\"x_MsoNormal\" align=\"center\"><b>&#8220;How to build a resonant drone machine with objects, people and hidden signals&#8221;<\/b><\/p>\n<blockquote>\n<p class=\"x_MsoNormal\" align=\"center\">The Serpent that announces, \u201cThe World is a closed thing, cyclical, resonant, eternally-returning,\u201d is to be delivered into a system whose only aim is to violate the Cycle. [Thomas Pynchon, <em>Gravity\u2019s Rainbow<\/em>]<\/p>\n<\/blockquote>\n<p class=\"x_MsoNormal\" style=\"text-align: left\" align=\"center\">In this presentation, <a href=\"http:\/\/www.davidstrang.co.uk\/\" target=\"_blank\">David Strang<\/a> will introduce the elastic drone machine and explore the processes involved in developing such a simple device for making noise for performance. Through discourse around the machine David will discuss key concepts (noise, objects, resonance, steganography etc) which each contribute to the machinic assemblage and its various territories, folding together writing from the emerging field of object-oriented ontology (OOO)\u00a0and New Materialism with the practice of hacking and workshops. This may include a short demonstration \/ performance.<\/p>\n<p class=\"x_MsoNormal\">The PEP Talks organising team:\u00a0Chris Green, Teri Bailie, James Harper,\u00a0Katheryn Owens &amp;\u00a0Beth Emily Richards<\/p>\n<p class=\"x_MsoNormal\">Twitter:\u00a0@PlymUniPEP<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Please join us for the next PEP Talk (the seminar series of the\u00a0Performance.Experience.Presence research group at Plymouth University), which will feature papers by Phil Smith and David Strang: Wednesday, 30th November 2016,\u00a04.30 \u2013 6.00pm Babbage Building, Room 215, Plymouth University \u201cUsing character and journey in Symbolist Theatre to make a portrait of South Devon\u201d In&hellip; <a class=\"more-link\" href=\"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/2016\/11\/26\/30-november-2016-performing-arts-research-seminar\/\">Continue reading <span class=\"screen-reader-text\">30 November 2016: Performing Arts research seminar<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":1605,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,6],"tags":[261,37,15,79,14,21,18,423,479],"class_list":["post-1603","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-events-for-plymouth-university-researchers","tag-david-strang","tag-music","tag-pep","tag-pep-talk","tag-performance","tag-phil-smith","tag-practice-research","tag-research-seminars","tag-theatre","entry"],"_links":{"self":[{"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/posts\/1603","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/comments?post=1603"}],"version-history":[{"count":3,"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/posts\/1603\/revisions"}],"predecessor-version":[{"id":1609,"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/posts\/1603\/revisions\/1609"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/media\/1605"}],"wp:attachment":[{"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/media?parent=1603"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/categories?post=1603"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/tags?post=1603"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}