{"id":1892,"date":"2017-01-31T18:42:47","date_gmt":"2017-01-31T18:42:47","guid":{"rendered":"http:\/\/blogs.plymouth.ac.uk\/artsinstitute\/?p=1892"},"modified":"2017-01-31T18:49:46","modified_gmt":"2017-01-31T18:49:46","slug":"1-february-2017-seminar-on-fictional-music-in-film","status":"publish","type":"post","link":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/2017\/01\/31\/1-february-2017-seminar-on-fictional-music-in-film\/","title":{"rendered":"1 February 2017: Seminar on fictional music in film"},"content":{"rendered":"<div style=\"text-align: center\">MUSIC RESEARCH SEMINAR<\/div>\n<div style=\"text-align: center\">Wednesday, 1st February 2017 at 2pm<\/div>\n<div style=\"text-align: center\">in Rolle Building 015, Plymouth University<\/div>\n<div style=\"text-align: center\">All welcome<\/div>\n<div><\/div>\n<div style=\"text-align: center\"><b>\u00a0<\/b><\/div>\n<div style=\"text-align: center\"><b>Musical make-believe: Fictional music in film<\/b><\/div>\n<div style=\"text-align: center\">Jonathan Godsall (Plymouth University)<\/div>\n<div><span lang=\"en-US\">\u00a0<\/span><\/div>\n<div><\/div>\n<div>\n<div><span lang=\"en-US\">From\u00a0<\/span><span lang=\"en-US\"><i>This is Spinal Tap\u00a0<\/i><\/span><span lang=\"en-US\">to\u00a0<\/span><span lang=\"en-US\"><i>Star Wars<\/i><\/span><span lang=\"en-US\">, many films have contained fictional pieces of music: pieces supposedly composed by fictional characters. This music is also\u00a0<\/span><span lang=\"en-US\"><i>real<\/i><\/span><span lang=\"en-US\">, though, written \u2018behind the scenes\u2019 by actual musicians and audible to the film\u2019s audience. How is fictional music deployed in films, and to what effect? How do real composers write \u2018in character\u2019 as fictional ones? And how does fictional music reflect and interact with the music of our real world?<\/span><\/div>\n<div><a href=\"http:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-content\/uploads\/sites\/60\/2017\/01\/musicandlyrics.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1893 aligncenter\" src=\"http:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-content\/uploads\/sites\/60\/2017\/01\/musicandlyrics-300x187.jpg\" alt=\"\" width=\"300\" height=\"187\" srcset=\"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-content\/uploads\/sites\/60\/2017\/01\/musicandlyrics-300x187.jpg 300w, https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-content\/uploads\/sites\/60\/2017\/01\/musicandlyrics-260x162.jpg 260w, https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-content\/uploads\/sites\/60\/2017\/01\/musicandlyrics-160x100.jpg 160w, https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-content\/uploads\/sites\/60\/2017\/01\/musicandlyrics.jpg 450w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/div>\n<\/div>\n<div>\n<div><span lang=\"en-US\">In this seminar, <a href=\"https:\/\/plymouth.academia.edu\/JonathanGodsall\">Dr\u00a0Jonathan Godsall<\/a> addresses these and other questions through examination of the 2007 romantic comedy\u00a0<\/span><span lang=\"en-US\"><i>Music and Lyrics<\/i><\/span><span lang=\"en-US\">\u00a0and its fictional musical universe.\u00a0<\/span>Sound design has begun to find its way into operatic practice over the last decade or so.<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>MUSIC RESEARCH SEMINAR Wednesday, 1st February 2017 at 2pm in Rolle Building 015, Plymouth University All welcome \u00a0 Musical make-believe: Fictional music in film Jonathan Godsall (Plymouth University) \u00a0 From\u00a0This is Spinal Tap\u00a0to\u00a0Star Wars, many films have contained fictional pieces of music: pieces supposedly composed by fictional characters. This music is also\u00a0real, though, written \u2018behind&hellip; <a class=\"more-link\" href=\"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/2017\/01\/31\/1-february-2017-seminar-on-fictional-music-in-film\/\">Continue reading <span class=\"screen-reader-text\">1 February 2017: Seminar on fictional music in film<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":1893,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,6],"tags":[12,211,631,37,615],"class_list":["post-1892","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-events-for-plymouth-university-researchers","tag-film","tag-film-score","tag-jonathan-godsall","tag-music","tag-research-seminar","entry"],"_links":{"self":[{"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/posts\/1892","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/comments?post=1892"}],"version-history":[{"count":7,"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/posts\/1892\/revisions"}],"predecessor-version":[{"id":1895,"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/posts\/1892\/revisions\/1895"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/media\/1893"}],"wp:attachment":[{"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/media?parent=1892"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/categories?post=1892"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.plymouth.ac.uk\/artsinstitute\/wp-json\/wp\/v2\/tags?post=1892"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}