Thursday 28 April 2016, 6-8 pm. at the Plymouth School of Creative Arts, 22 Millbay Road Millbay, Plymouth PL1 3EG FREE – all welcome. Book your place via the Eventbrite webpage. This lecture by Professor Bob Brown is last in the ‘Remember This?’ public lecture series from The Arts Institute at Plymouth University. The series, by members of the Arts and… Continue reading 28 April 2016: BODY, SPACE, MEMORY (& A LITTLE BIT OF SUSHI) – a public lecture
Category: Histories, Memory & Memorialisation
One of the 3 key themes of The Arts Institute at Plymouth University.
27 April 2016: English research seminar on transatlantic fiction
You are welcome to attend the following seminar of Plymouth University’s English & Creative Writing research group: Wednesday 27th April 2016, 3.30-5pm in the Babbage Building, room BGB 409, at Plymouth University ‘The Chain of the Narration’: transatlantic fiction and the natural history of North America a paper by Dr Kathryn Gray.
27 April 2016: Talk about Duke Ellington in Words & Music Shakespeare Festival
“Such Sweet Plunder: Or Whose Line Is It Anyway?” On Wednesday 27th April, Dr Katherine Williams will be giving a talk on Duke Ellington as part of the 2016 Words and Music Festival: Celebrating Shakespeare in Plymouth. In her talk, Katherine uses Duke Ellington’s music to explore the balance of authorial power between composer, bandleader, musicians,… Continue reading 27 April 2016: Talk about Duke Ellington in Words & Music Shakespeare Festival
‘Remember Me’: a new AHRC-funded research network
Liz Nicol, Associate Professor in Photography and leader of the MA Photography programme at Plymouth University, is Co-Investigator for a new AHRC-funded project with researchers at the University of Hull. The project, entitled ‘Remember Me: The Changing Face of Memorialisation’, explores the making of meaning in memorial practices in Britain. Liz’s role in the project focuses on… Continue reading ‘Remember Me’: a new AHRC-funded research network
Feature: “Rules to (perhaps) live by: Samuel Richardson and 18th century educational writing”
BY BONNIE LATIMER One of the funniest texts of the mid-eighteenth century is Jane Collier’s acerbic An Essay on the Art of Ingeniously Tormenting (1753). Collier sardonically imagines that most people’s true goal in life is ‘to plague all their acquaintance’. She helpfully lays down rules for doing so, encompassing masterpieces of passive aggression—for example,… Continue reading Feature: “Rules to (perhaps) live by: Samuel Richardson and 18th century educational writing”
Artist Film Screening by Steven Paige, 5-14 April 2016 at Plymouth Arts Centre
Steven Paige Let’s Go Bowling 5 – 14 April 2016 at Plymouth Arts Centre Free entry Steven Paige employs re-enactment and performance to examine relationships between film, instruction, leisure and individuality. His latest moving image project, made as part of his PhD research, is a reworking of a 1950s film featuring American bowling techniques. Through a process… Continue reading Artist Film Screening by Steven Paige, 5-14 April 2016 at Plymouth Arts Centre
Feature: “The Poems of Ossian and early Geomorphology: the start of an interdisciplinary conversation?”
BY DAFYDD MOORE James Macpherson’s Poems of Ossian (1761-3) present themselves as the poetic remains of the third-century Celtic prince and bard Ossian (in fact they were inspired, as we might say, by the Gaelic heroic verse Macpherson collected in the Highlands of Scotland but were for the most part more down to him than… Continue reading Feature: “The Poems of Ossian and early Geomorphology: the start of an interdisciplinary conversation?”
Feature: “Painting radioactivity: How to represent the unrepresentable”
By Jody Patterson In the aftermath of unleashing a new arsenal of atomic weaponry on Hiroshima and Nagasaki in August 1945 American artists struggled with the question of how to respond to the unprecedented atrocities of nuclear warfare. What could they say in the wake of the carnage wrought by the militarization of science for… Continue reading Feature: “Painting radioactivity: How to represent the unrepresentable”
Introduction to screening of ‘Stories We Tell’ (2012)
The following text was written and presented by Roberta Mock, to introduce the screening of Stories We Tell on 22 February 2016 as part of the Peninsula Arts Women & Cinema season. Our film tonight, Stories We Tell, was made by Sarah Polley, who is an actor, writer and director from Toronto. She started performing as… Continue reading Introduction to screening of ‘Stories We Tell’ (2012)
Conference: “Gender, Power and Materiality in Early Modern Europe, 1500-1800” (7-9 April 2016)
This three-day conference (7-9 April 2016) at Plymouth University on the theme of ‘Gender, Power and Materiality in Early Modern Europe, 1500-1800’ is part of a two-year AHRC-funded international research network run by Professor James Daybell (Plymouth University), Professor Svante Norrhem (Lund University), Dr Nadine Akkerman (Leiden University) and Professors Susan Broomhall and Jacqueline Van… Continue reading Conference: “Gender, Power and Materiality in Early Modern Europe, 1500-1800” (7-9 April 2016)