Katherine Williams’ co-edited volume ‘The Cambridge Companion to the Singer-Songwriter’ has been published

Dr Katherine Williams‘ co-edited volume The Cambridge Companion to the Singer-Songwriter was published in late February. This book explains the historical contexts, musical analyses, and theoretical frameworks of the singer-songwriter tradition. Divided into five parts, the book explores the tradition in the context of issues including authenticity, gender, queer studies, musical analysis and performance. Leadbelly, Dolly Parton, Billy… Continue reading Katherine Williams’ co-edited volume ‘The Cambridge Companion to the Singer-Songwriter’ has been published

Plymouth University Researchers perform at INTERNATIONAL FESTIVAL FOR ARTISTIC INNOVATION

After its successful premiere at this year’s Peninsula Arts Contemporary Music Festival, Federico Visi (electric guitar, motion sensors, live electronics) and Katherine Williams (saxophone, motion sensors, live electronics) are performing Visi’s composition,11 degrees of dependence, this week at The International Festival for Innovations in Music Production and Composition (iFIMPaC) organised by Leeds College of Music.  … Continue reading Plymouth University Researchers perform at INTERNATIONAL FESTIVAL FOR ARTISTIC INNOVATION

10 March 2016: Lunchtime Talk on Sound and Music in Science

“Can we really listen to the Higgs Boson? Sound and music in science”  Speaker: Nuria Bonet Filella (PhD Candidate, ICCMR) 10 March 2016, 1 – 2 pm in the Portland Square Building Room C1 at Plymouth University ALL WELCOME! FREE! (Cake & tea provided!)   At Plymouth we have a vibrant postgraduate student community that… Continue reading 10 March 2016: Lunchtime Talk on Sound and Music in Science

Developing a new performance with a new quantum computer

Dr Alexis Kirke, a Senior Research Fellow of the ICCMR (Interdisciplinary Centre for Computer Music Research) at Plymouth University, has begun a two-week residency at the University of Southern California (USC) in the Quantum Computation and Open Quantum Systems (QCOQS) group. Alexis has been invited to collaborate with this world-leading research group to develop a musical performance using its $15m… Continue reading Developing a new performance with a new quantum computer

Music Research Seminar on Astor Piazzolla’s tango for solo flute: 2 March 2016

You are welcome to attend the next MUSIC RESEARCH SEMINAR on Wednesday, 2 March 2016 at 2 pm in Rolle 015, Plymouth University: ‘I didn’t quite catch your accent’: A recording analysis of accentuation in Astor Piazzolla’s Etude 6 for Solo Flute (1987) for a fresh approach to tango performance’ by Dr. Jessica Quiñones Despite the… Continue reading Music Research Seminar on Astor Piazzolla’s tango for solo flute: 2 March 2016

Ground-breaking performance by ICCMR’s The Paramusical Ensemble

The Paramusical Ensemble

Four individuals with complex neurological conditions have, for the first time, taken part in a live musical performance with a string quartet. The film of this ground-breaking musical performance will premiere at Peninsula Arts Contemporary Music Festival 2016.  It showcases an extraordinary project led by Plymouth University and the Royal Hospital for Neuro-disability which saw four patients at the… Continue reading Ground-breaking performance by ICCMR’s The Paramusical Ensemble

New book about Rufus Wainwright by Dr Katherine Williams

Equinox Publishing has just published Dr Katherine Williams‘ new book, Rufus Wainwright. Katherine, a Lecturer in Music at Plymouth University, is a musicologist and saxophonist. Canadian-American singer-songwriter Rufus Wainwright is famous around the world for his multi-faceted musical style, shown through both his recorded output and his engaging live performances. In this book, Katherine Williams combines aspects… Continue reading New book about Rufus Wainwright by Dr Katherine Williams