Plymouth University Computer Music PhD candidate wins French award

Pierre-Emmanuel Largeron, a PhD candidate at the University of Plymouth, has been chosen to receive one of seven Trophées des Français de l’etranger 2017, which celebrate the achievements of French expatriates and francophones around the world. Organised by lepetitjournal.com, in partnership with national government, business and media, the awards on Tuesday 7 March were attended… Continue reading Plymouth University Computer Music PhD candidate wins French award

Peninsula Arts Contemporary Music Festival 2017: Voice 2.0

Friday 24th to Sunday 26th February 2017 The House at the University of Plymouth Celebrating 12 years of musical innovation Organised in partnership with Plymouth University’s Interdisciplinary Centre for Computer Music (ICCMR) Ever since the dawn of humanity, voice has always been our primary source for communication. Our ability to evolve sophisticated verbal languages distinguishes us… Continue reading Peninsula Arts Contemporary Music Festival 2017: Voice 2.0

Professor Eduardo Miranda’s new book ‘Mind Pieces’ published in New York

The recording of the Peninsula Arts Contemporary Music Festival premiere of Professor Eduardo Miranda’s symphony, ‘Mind Pieces’ and an accompanying e-book have recently been published by Intelligent Arts, in New York, USA. Mind Pieces stemmed from Professor Miranda’s research into using computers to harness musical creativity. The e-book is about bringing technology and intuitive musical… Continue reading Professor Eduardo Miranda’s new book ‘Mind Pieces’ published in New York

Feature: “Forging the Future of Classical Computer Music”

Photo 2: IRCAM’s 4X system. (Courtesy of Cité de la Musique, Philharmonie de Paris)

BY EDUARDO R. MIRANDA Classical contemporary music may not always appeal to large audiences but it can most certainly impact on how music that is more amenable to mass consumption is made. The Beatles, for instance, are known for admiring the music of, and being influenced by, the highly innovative German composer Karlheinz Stockhausen. They… Continue reading Feature: “Forging the Future of Classical Computer Music”

Feature: “Composing Music with Dark Matter”

By NASA, N. Benitez (JHU), T. Broadhurst (Racah Institute of Physics/The Hebrew University), H. Ford (JHU), M. Clampin (STScI),G. Hartig (STScI), G. Illingworth (UCO/Lick Observatory), the ACS Science Team and ESA - http://hubblesite.org/newscenter/newsdesk/archive/releases/2003/01/image/a, Public Domain, https://commons.wikimedia.org/w/index.php?curid=1727600

BY NÚRIA BONET FILELLA As a composer, I’m interested in finding ways to represent the world through my music. Humans have done this since the beginning of time, from imitating birdsong with a bone flute to the influence of industrial noises in Kraftwerk’s music. Every era has adapted music to incorporate developments in the environment.… Continue reading Feature: “Composing Music with Dark Matter”

Professor Eduardo Miranda is a visiting scholar at Harvard University

  Professor Eduardo Miranda is currently on a mission to the United States as a visiting scholar at Harvard University and invited speaker at MIT Media Lab. He is working in the Harvard University Studio for Electroacoustic Composition (HUSEAC) on a new composition for choir and electronics, which is scheduled for premiere at the Peninsula… Continue reading Professor Eduardo Miranda is a visiting scholar at Harvard University