26 October 2016: artistic research seminar on mixed reality collaboration

You are welcome to join us for the following research seminar: “Space Interface: collaborating on the mixed reality continuum” by Dr Mathew Emmett Scott Building 102, Plymouth University Wednesday 26 October 2016, 4.30 – 6.00pm In this seminar, shared by ARC (Artistic Research Cluster) and Performance.Experience.Presence (P.E.P) research group, Mathew will talk about his ongoing Space Interface collaboration with… Continue reading 26 October 2016: artistic research seminar on mixed reality collaboration

20-22 October 2016: Free interactive playful technology workshops

You are invited to participate in a wide range of workshops during Off The Lip, which takes place from 20-22 October 2016 at Plymouth University. This event arises from CogNovo, which is a multidisciplinary and international research project exploring creativity, cognition, and innovation. Among the Off the Lip workshops are: A Space to Wonder: Interactive Improvisation Workshop with Movement… Continue reading 20-22 October 2016: Free interactive playful technology workshops

12 October 2016: Interdisciplinary medical humanities seminar (on being a patient)

Please join us for the next PEP Talk (the seminar series of the Performance.Experience.Presence research group at Plymouth University)   “Negotiating the Gap: Both-and approaches to the practice of being a patient” by Dr Lee Miller and Dr Joanne ‘Bob’ Whalley   Wednesday 12 October 2016, 4.30-6 pm Roland Levinsky Building room 309, Plymouth University What if… Continue reading 12 October 2016: Interdisciplinary medical humanities seminar (on being a patient)

Music in mind

Plymouth University’s Interdisciplinary Centre for Computer Music Research (ICCMR) has been working on pioneering brain-computer music interfacing, BCMI for short (or as the ICCMR director of research Professor Eduardo Miranda sometimes calls it, ‘Music Neurotechnology’), for over a decade. This work has been used, amongst other things, to give disabled patients access to music making. A… Continue reading Music in mind

21 September 2016: Transtechnology Research Seminar

Hogarth’s Dog: Devices, Narrative and Illusion 21st September 2016, 12noon in Link Building, floor 3, Plymouth University Transtechnology Research Seminar by Dr. Hannah Drayson and Prof. Michael Punt Following from Sedgwick and Frank’s (1995) Shame in the Cyberetic Fold, Hannah Drayson will gloss the discussion surrounding the concept of affect in the arts and humanities… Continue reading 21 September 2016: Transtechnology Research Seminar

Professor Eduardo Miranda’s new book ‘Mind Pieces’ published in New York

The recording of the Peninsula Arts Contemporary Music Festival premiere of Professor Eduardo Miranda’s symphony, ‘Mind Pieces’ and an accompanying e-book have recently been published by Intelligent Arts, in New York, USA. Mind Pieces stemmed from Professor Miranda’s research into using computers to harness musical creativity. The e-book is about bringing technology and intuitive musical… Continue reading Professor Eduardo Miranda’s new book ‘Mind Pieces’ published in New York

25 September 2016: Music of Motions & Presence (free performance)

Federico Visi, Practice Research Symposium, 5 February 2016

25 September 2016 at 17:00 The House, Plymouth University Free admission, booking advised Music of Motions and Presence is series of compositions by Federico Visi that make deliberate use of the body movements of the performers. Federico will be playing electric guitar, together with Lara Jones on saxophone and Marco Frattini on drums and percussion. Their gestures… Continue reading 25 September 2016: Music of Motions & Presence (free performance)

Exhibition in Plymouth by Kraftwerk pioneer & Plymouth University artist-researcher

SPACE INTERFACE II KARST Gallery, Plymouth 2-10 September 2016 Space Interface II is a collaborative exhibition between Eberhard Kranemann and Mathew Emmett who synthesise hybrid space through mixed reality performance. Kranemann and Emmett act cooperatively to create a multi-level immersive environment in which the performers and audience are encouraged to simultaneously occupy multiple points on the… Continue reading Exhibition in Plymouth by Kraftwerk pioneer & Plymouth University artist-researcher

Ideas on sourdough bread, conferences, research and everything

By Jayne Buchanan (Plymouth University) So what does the art of making sourdough bread have to do with being a research student? As I reflect on my experiences at attending two conferences at Plymouth University and one at Leicester De Montfort University this month, it bought to mind cookery instructions on how to make a sourdough… Continue reading Ideas on sourdough bread, conferences, research and everything

Feature: “Forging the Future of Classical Computer Music”

Photo 2: IRCAM’s 4X system. (Courtesy of Cité de la Musique, Philharmonie de Paris)

BY EDUARDO R. MIRANDA Classical contemporary music may not always appeal to large audiences but it can most certainly impact on how music that is more amenable to mass consumption is made. The Beatles, for instance, are known for admiring the music of, and being influenced by, the highly innovative German composer Karlheinz Stockhausen. They… Continue reading Feature: “Forging the Future of Classical Computer Music”