Feature: Vōv: Decoding Language, Encoding Music

By EDUARDO R. MIRANDA AND DAVID J. PETERSON Vōv is a composition for four singers accompanied by computer-generated voices and percussion, which received its premiere at the 2017 edition of Peninsula Arts Contemporary Music Festival, at Plymouth University. Vōv also is the name of an artificial language that was invented specially for this composition. (Please click… Continue reading Feature: Vōv: Decoding Language, Encoding Music

Feature: “Writing about writing about dying: researching the Livre des Martyrs”

Crespin, the 5th part of the Recueil des Martyrs, 1563, courtesy Solothurn Staatsbibliothek

BY JAMESON TUCKER When I got into the office on Monday morning, I was happy (and a bit surprised) to find a box containing six copies of my book, The Construction of Reformed Identity in Jean Crespin’s Livre des Martyrs, which is coming out soon from Routledge. This is based on my PhD thesis, which… Continue reading Feature: “Writing about writing about dying: researching the Livre des Martyrs”

Feature: “Waiting for a cure: Oskar Kokoschka’s Portraits of Tubercular Patients”

By GEMMA BLACKSHAW The modern period has been historicised as one of heroic advancement in the visual arts, a time marked by artists’ experimentation with new materials and methods, and representation of new ways of seeing. What is less acknowledged in this history is the role played by medicine, a field which was also marching forwards… Continue reading Feature: “Waiting for a cure: Oskar Kokoschka’s Portraits of Tubercular Patients”

Feature: “Confessional Painting: Recent work by Chantal Joffe”

Chantal Joffe Anne in her Study, 2015 Oil on board 40.8 x 30.5 cm 16 1/8 x 12 1/8 in Courtesy the Artist and Victoria Miro, London (Photography Stephen White) © Chantal Joffe

BY GEMMA BLACKSHAW Linda, you are leaving your old body now. It lies flat, an old butterfly, all arm, all leg, all wing, loose as an old dress. I reach out toward it but my fingers turn to cankers and I am motherwarm and used, just as your childhood is used. (Anne Sexton, ‘Mother and… Continue reading Feature: “Confessional Painting: Recent work by Chantal Joffe”

Feature: “Regarding Nature”

Re-visiting - Scirpus [Bolboschoenus]maritimus – plate n°1075 Arrochar, August 2012 (Low tide) 56°12.342’N 4°45.038’W

BY LIZ WELLS Regarding Nature, a solo exhibition by the London-based, French photographer, Chrystel Lebas, opened at Huis Marseilles in Amsterdam on Saturday, 10 December 2016. It draws on Field Studies, a project developed over several years in conjunction with the Natural History Museum (NHM) in London. It was particularly good to see some recent… Continue reading Feature: “Regarding Nature”

Feature: “The Political History of the English Plum Pudding in the Long Nineteenth Century”

BY JAMES GREGORY   One enduring item in the British culinary self-imagination has been the plum pudding – often closely associated in festivities with the roast beef (of old England). The pudding – so named for the dried fruits which may have included fruit other than prunes – was not just for Christmas time but… Continue reading Feature: “The Political History of the English Plum Pudding in the Long Nineteenth Century”

Feature: “Between Us: Audiences, Affect and the In-Between”

BY LEE MILLER AND JOANNE ‘BOB’ WHALLEY  How do you write about writing in a way that is engaging, resists becoming a self-regarding meta-commentary, and makes people want to read your other work without looking like an advert? It’s quite a tall-order, but that’s what we hope to do over the next few paragraphs. In… Continue reading Feature: “Between Us: Audiences, Affect and the In-Between”

Feature: “Artistic thinking, walking and silence for well-being”

Jaana Erkkilä: Karusellista karanneet VI carborundum/ets.akv.

BY JAANA ERKKILÄ-HILL A well-known story tells about three wise men who followed a star and left their valuable presents to a newborn baby somewhere in the Middle East over two thousand years ago. It is a strange story about looking for meaning and value in something that is unknown; a story about following your… Continue reading Feature: “Artistic thinking, walking and silence for well-being”

Feature: “Judicial Independence in the UK & USA”

John Coleridge, 1st Baron Coleridge (1820 – 1894) engraved by Eden Upton Eddis. Source: Wikemedia Commons

By ANN LYON In recent days there has been heavy criticism of the three justices who heard the judicial review in R (on the application of Miller) v Secretary of State for Exiting the European Union, largely on the basis that allegations that they have gone against democracy and applied their personal bias in favour… Continue reading Feature: “Judicial Independence in the UK & USA”

Feature: “For the preservation of our rights and liberties: The Judiciary in the Long Nineteenth-Century and Now”

Image: Wikimedia commons

By ANN LYON and JAMES GREGORY The political history of the British ‘long nineteenth-century’ is characterised by debates about the constitution in which parliamentary reform – the extension of the parliamentary franchise, the redrawing of constituencies, the power of the House of Lords, prominently figure. The judicial bench were recognised to have a political role… Continue reading Feature: “For the preservation of our rights and liberties: The Judiciary in the Long Nineteenth-Century and Now”